Directed by Federico Fellini
Cinematography by Arturo Gallea

The first two days of a marriage. Ivan, a punctilious clerk brings his virginal bride to Rome for a honeymoon, an audience with the Pope, and to present her to his uncle. They arrive early in the morning, and he has time for a nap. She sneaks off to find the offices of a romance magazine she reads religiously: she wants to meet "The White Sheik," the hero of a soap-opera photo strip. Star-struck, she ends up 20 miles from Rome, alone on a boat with the sheik. A distraught Ivan covers for her, claiming she's ill. That night, each wanders the streets, she tempted by suicide, he by prostitutes. The next day, at 11, is their papal audience. Can things still right themselves?

Directed by Jean-Luc Godard
Starring Genevieve Gallea, Marino Mase, Albert Juross

Jean-Luc Godard set out in 1963 to deliberately make a war film that would be neither dramatically involving nor formally compelling--and he succeeded so brilliantly that the film was seen as a disaster, precisely because the liberal-humanist critics of the time were being educated by it rather than reassured. A vitally important film, in terms of Godard's notions of form and in terms of his growing political awareness, it tells of two peasants drafted into the king's army, whose victories on the battlefields lead to their execution as traitors when diplomacy takes a characteristic turn